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Tala also denotes the throne of Durga, the female of Shiva. Its dual, tarah or tari denotes an ax, or the action of felling a tree.

Pan or Bacchus — the Phallic God of the Greeks and Romans — has a name and nature that derives from the Dravidian names of the toddy palm, the emblem of the erect phallus.

Many authorities have recognized the Hindu origin of both Pan and Bacchus Dionysos , and we see that they also link with the legend of Atlantis, whose Indian origin is hereby confirmed.

Pan, the Primordial Castrate Pan too, like Bacchus was a castrated god. He was an alias of Bacchus or Dionysos, in a more primitive avatar.

This etym of Pan has further relations with castration. The ultimate etym of this name of the goat buck is the Dravidian pakku mentioned above.

And the flail or thresher was a well known phallic symbol. It was carried as a royal insignia by the Pharaoh, who used it as a sort of scepter.

This is shown explicitly, f. The flailing of criminals and slaves is a supreme humiliation which allegorizes impalement, and is said to expel even devils.

In Egypt, the god Min often bore a flail on one hand while the left held his penis by the root. The scenes suggests castration and the punishment with flailing.

Self-castration was often practiced by the priests of Cybele the Galli and many other worshippers of the Mother Goddess. Attis, Adonis, Osiris, Min, Tammuz, Pan, Shiva are a few of the many castrates either by themselves or by the goddess who represents their female moiety.

Rituals such as infibulation and circumcision also clearly relate to castration in honor of femininity. A-tala — The word tala also denotes the palm of the hand and, more exactly, the open outspread hand with its five fingers.

The palmyra or fan-palm is so named because it resembles an open hand, as we said above. This peninsula is also called Kara or Kra, meaning the same in Sanskrit.

The Hand of Satan closely recalls the Charybdis of Homer and the Vadavamukha of the Hindus which, as we saw, also link to the sinking of Atlantis that rendered the region inavigable.

It is extremely interesting to see this feature connected with the region of Indonesia and with the Atlantis legend. In the Thousand and One Nights and in other Oriental sources the site of this terrible vortex is place in the Malay archipelago The same idea of the Hand of Satan is also embodied in the Sanskrit pan or pach or panch or pancha and the Dravidian pakku or pana , denoting both the palm-tree and the palm of the hand or the number five the hand spread out, showing its five fingers.

The outspread, raised hand was used by the Celts and the Nazis to salute their heroes. The idea is that one is not to fear the Flood or Phallus of God, because it will be so sudden that it will not hurt.

More esoterically, the gesture suggests the raised phallus which is the main attribute of Pan and Shiva, and which denotes the resurrection or rising of the Phallic Star Ursa once again, now that the time has finally arrived.

And, above all, it denotes the resurgence of Atlantis and its lofty Pillar, as well as of its downtrodden races, in the Golden Age that is dawning.

Pan or Pani is the name of the Dravidians in the Rig Veda, the clever Dasyus of the lofty towers relentlessly destroyed by Indra.

The Panis are also the Panyar castes, worshippers of the banyan panyar , the tree that is the Tree of Life and the very emblem of resurrection.

This tree is the Indian figtree, Ficus indica grows inverted, downwards from the top of its dual, the Bodhi Tree of Knowledge the sacred figtree, Ficus religiosa.

All Biblical events are to be explained and understood as allegories not always decipherable. Palm Sunday is the one preceding Easter.

It commemorates the triumphal entry of Christ in Jerusalem, when the people strewed palm branches before him John The symbolism of the palm tree branches as an emblem of victory is well attested in the Bible.

The palm branch is also a symbol of resurrection akin to the Golden Bough of Aeneas and of Diana Nemorensis the one of the lake in Ariccia that so intrigued Sir J.

The Christian martyrs often hold palm branches in their hands as an emblem of their expected resurrection at Doom.

They, are the ones who acclaim the resurrected Lamb in the Celestial Jerusalem Rev. This is a quote from Zacharias 9: But comparing with its equivalent in Jeremias Indeed, it represents the Ashvin twins and other such ass-headed Saviours Dadhyanch, etc.

The Branch is the palm tree that resurrects. Again, it also refers to the Phoenix, itself an allegory of Atlantis. In Greek as in other tongues the palm tree and the Phoenix are both named the same phoinix.

The Phoenix and the Palm are both considered as emblem of resurrection did Judeu-Christianism and, indeed embody a hidden allusion to the rebirth of Atlantis, the true Celestial Jerusalen.

Nabhas also denotes the navel nabhi or nave or axle or pivot, as well as the musk deer mriga-nabhi , the alias of the Pole Star and of the toddy cat.

The word also names the Yoni Lira and a Kshatrya. Tala denotes an expanse like the sky and, as we saw, a palm tree trunk tala. Hence we see that, by confusing or playing with the words, one arrives at the ideas that of a tent or expanse of tissue nah supported by a pole tala.

Such images of Paradise as the Primordial Tent are also commemorated by the peculiar shape of the tents of the Germanic tribes, or those of the North American Indians teepees.

A further mythical wordplay concerns the Cosmogonic Marriage. The passages on the palm tree are repeated in Nehemiah 8: But the symbolism is the same.

So in Jeremiah They clearly stand for the Pole Star or, more exactly, for their succession as the eras elapse.

In the oniric imagery of the Song of Songs the palm tree tamar in Hebrew figures prominently, as elsewhere in the Bible. The palm tree is rather rare in Israel, as it does not withstand its mountainous, bone dry climate.

It is only seen in the coasted region and the Jordan valley, and never in the region of Jerusalem. Celestial Jerusalen is also the Primordial Heliopolis which is the true home of the Phoenix.

We note also that many Egyptian temples had pillars of stone replicating palm trees, exactly as in the one of Ezekiel.

The Egyptian palm columns were later substituted by papyri stems, but the phallic symbolism is thereby preserved verbatim. The phallus here represented is that of the Monkey Vrishakapi or Hanumant , the animal whose phallus actually recalls an umbrella or a palm-tree.

In the Song of Songs 7: The Prince says to her:. He is here seen climbing the toddy palm in order to ravish its heart and steal its juicy soma toddy.

And he will throw down the leaves that he cuts off in this archetypal act of castration so laden with eschatological symbolism.

It is those leaves that cover the way of Christ when he rides the donkey the humble, phallic version of Pegasus into the Celestial Jerusalem of Heliopolis.

Israel, having very few palm trees, and no civet cats or toddy cats could never be rightfully called the Phoenicia, the Land of the Palm Tree or embody such archetypes as its symbol.

Indeed, the only place in the whole area that fits the requirements is Indonesia, as is visible by a study of the phytogeography of the region.

Besides, monkeys are notably absent in the Near East, and it is also hard to see how their mythology could have evolved there.

And, of course, the toddy cat is another animal that inexists in the region of the Near East we can only conclude that the Song of Songs originated farther east, in the Indies.

In fact, we analyze this problem in detail elsewhere, arguing in detail that both the Song of Songs and the Thousand and One Nights, indeed originated in the Indies, where traditions anchas those of the Ramayana and the Jatavas.

Hence, Atlantis both is and is not, having or having not reached its end, according to the point of view of those who believe in its resurrection or not.

Ganesha was decapitated when his head was burnt out by Shiva. His head was subsequently replaced with that of an elephant.

The idea is that this head was really that of his phallus the palladium. Typhon too was a serpentine dragon, like the phallus he imaged.

This last name was used by Thomas Morus in his undue divulgation of certain secrets concerning Atlantis Utopia. And he was beheaded for just that transgression.

This is name of Shiva as the lofty pillar or mountain that supports the skies, cleaving Heaven and Earth asunder. The word Atalas is essentially identical with the name of Atlas, another world-supporter.

There can be no doubt that these two names have a common origin. Given that the name of the Titan means nothing known in Greek, but is laden with hidden meanings in Sanskrit, the natural conclusion is that the Greeks copied the myth of Atlas from India.

Shiva as the linga or pillar that supports the skies is, perhaps, the most popular god in India. There, lingas made of rock crystal or alabaster are worshipped by the millions, exactly as is the Christian Cross in the West.

Indeed, the Crucifix is the image of Christ as the Purusha tied to the Cosmic Pillar, which is precisely the image of the phallic Shivalinga.

One day, Vishnu and Brahma were discussing who was the mightier of the two. A fiery pillar suddenly appeared before them which stretched up into the skies and down to the bottom of the Ocean.

Brahma assumed the shape of an eagle and flew up, attempting to reach the top of the pillar. Vishnu changed into a boar, and dived under the seas, reaching for the base of the pillar.

After a long time of unsuccessful exertion, the two gods returned and realized that Shiva, the Fiery Pillar, was the greatest of the three gods of the Trimurti.

One such appears in disguised form as the primordial Creation Act of Genesis 1: In the beginning God created Heaven and Earth.

The same conception is repeated in Gen. Where wast thou when I laid the foundations of the Earth? Declare, if thou hast understanding.

Tell who hath fathomed the measures thereof if thou knowest? Or who hath stretched the line upon it? Whereupon are the foundations thereof fastened?

Or, who laid the cornerstone thereof, when the Morning Stars sang together, and all the Sons of God shouted aloud, in joy? Who shut up the sea with sluice-gates when it brake forth from its maternal womb?

When I wrapped it up in a blanket of clouds and cradled it inside a dark fog? New subtitle not specified which We quoted that remarkable passage of Job because it sheds a lot of light over the matter of Atlantis.

But we return to the discussion of the passages of Genesis 1 and 2 quoted above. In contrast the corresponding passage in Gen.

This can be seen from a close reading of the above passage and of others related to it Job The Separation of Heaven and Earth The idea is also that of fathering or manufacturing in the manner of a smith or an artificer.

The concept detailed in Job is also that of as slow and painful artificial creation rather than something as sudden and brutal as the Big Bang.

In other words, the passage of Gen 1: In this way, Genesis is seen to conform to the other mythologies that tell of the Separation of Earth and Sky.

In particular this has to do with the limit those of India and of Egypt, as shown in pictorial form in Fig.

This expression is a standard formula of the Rig Veda, whence it was taken verbatim. Geb is the Earth god and Nut is the Sky goddess.

Geb was considered the physical support of the world, a sort of Cosmic Pillar, akin to Shiva and Atlas. It is interesting to note that Shu has both a twin sister and wife in Tefnut.

Thus, the two were considered the primordial couple in Heliopolis, where Geb and Nut were considered their twin children. Shu and Tefnut are frequently identified with the twin lions called Akher or Ruti, revered in Leontopolis and elsewhere.

The two were also represented as the Standing Serpent and the Coiled Serpent or, yet, as those of the uraeus.

They also corresponded to the Solar and the Lunar eyes of the god Horus, a conception that originated in the Indies. The Akher was often represented as a sort of serpentine lion with heads at the two extremities, which corresponded to the two extremes of earth, respectively in the Orient and the Occident.

These two lions also represent the twin guardians of the entrance and the exit of the underworld. The twin lions are also the ones of China, which we see guarding the door of their temples and palaces.

The Sarameyas are also triple-headed like Cerberus , and are the guardian-dogs of Yama and Yami, the twin kings of the underworld.

The Egyptian Double-Crown and the Pillars of Hercules It is interesting to recall that the Egyptian double-crown was imaged after the linga, with the white miter atef of Lower Egypt penetrating the red diadem pschent of Upper Egypt, precisely as the linga penetrates the yoni in the Shivalinga.

The two crowns represented the two Pillars of the World, one a lofty peak Sumeru and the other a bottomless abyss Kumeru. They also correspond to the two Pillars of Hercules and Atlas, posted at the two extremes of the world.

Indeed, these two pillars are the Straits of Gibraltar and of Malacca, as we discuss elsewhere. Gibraltar is located at the exit of the Mediterranean into the Atlantic Ocean, and the Strait of Malacca is the equally narrow gate at the exit of the Indian Ocean into the Pacific Ocean.

This canal was first opened by the legendary Pharaoh Sesostris or even earlier. But it was subsequently closed due to silting up, and had to be reopened by others, including Pharaoh Neccho, King Darius of Persia, and Ptolemy Euergetes, not to mention the last one, Ferdinand de Lesseps.

They were guarded by Phoenician ships and by forts which blockaded the passages. These passages were the doors of admission to the Indies, whose lucrative commerce the Phoenicians jealously kept for themselves as a monopoly.

The Argonautica, the Odyssey, the Kalevala, the Periplus of the Erythrean Sea, and other such heroic sagas are encrypted descriptions of the secret route to the Indies.

In some accounts, two other Gates were added, one in the Bosphorus, exiting into the Black Sea, and one in Dvaraka, allowing the ingress to India.

These attributions were sometimes interchanged or altered of even extended to seven, or eight with the inclusion of Hormuz Strait and the Suez Straight.

These four or five or seven were often called The Four or more Pillars of the Earth. Even the Strait of Bering and that of Magellan were known of the ancients and often figured in their secret maps of the Four Pillars of the World, as we discuss in detail elsewhere.

They were guarded by lofty lighthouses — the tall towers described as the Tower of Babel or as the Pillars of Hercules and Atlas — which scraped the bottom of Heaven and menaced its integrity, as so vividly portrayed in Fig.

An early Egyptian tale also records how a sailor, on his way to Punt or Amenti the Egyptian Hades , also met a Standing Serpent who was the king and guardian of the region of Paradise described as a sing island identify Atlantis in all details.

The King Serpent took a liking to the sailor, and gave him a fabulous treasure of gold and gemstones. More frequently, however, the Cherubs or Karibus would resist all intruders, and routinely impaled them as a warning to trespassers.

A cock — very like the weathercocks seen surmounting Christian churches — is shown impaled upon its top as if to suggest its identity with the Cross and the impaling stake it replicates.

The standing scorpions are the same as the Scorpion Men of the Epic of Gilgamesh, a fact that demonstrates the essential unity and continuity of the Judeo-Christian and the Pagan traditions.

This name is also applied to the phallus and to the impaling pole, and we see how the Karibu — whose function is precisely that of the scarecrow so often represented as a man impaled on a pole — very probably denoted the penalty of impalement applied by the Phoenicians on whoever dared to attempt to cross the impassable barriers they imposed on the two accesses to the Outer Ocean.

Among the many etyms of the word Cherub — and they all add in composing the myth — one of the most interesting derives from the Dravida. We noted how the name of the Cherubs or Karibu is related in Genesis 3: Indeed, the Dravidian car denotes a whirling object such as a lighthouse, a flashy sword an inflamed phallus, a car or cart, a wheel, a whirlpool, etc..

The idea of whirling associated with fire or gold or rubies evokes the shiny Mt. Meru, the Whirling Mountain flashing with gold and gemstones. It also recalls Mt.

The word karibu or kar-rubi also evokes the Solar Wheel, the karu or karuvi or impaling pole where criminals were impaled, just as Christ was immolated on the stake or Cross.

Scylla and Charybdis, the Twin Guardians of Hades Indeed, the word Charybdis likewise relates to Cherubs, and also denotes the Whirling Fire or Whirlpool that sucked down the ship of Ulysses and almost killed the Hero himself.

Scylla, its dual, was a lofty pillar guarded by a monster, and was as terrifying as Charybdis itself. The twin terrifiers, Scylla and Charybdis, are allegories of the two Pillars of Atlas and Hercules posted at the two extremes of the world.

As we show elsewhere, the two monsters of Homer are close parallels of the Fiery Linga and the Fiery Yoni of the Hindus, also identified there with the Vadavamukha and the Fiery Pillar or, yet, with the Sumeru and the Kumeru, the sites of their two Paradises.

In some Hindu myths, these Twins are represented as Kubera and Yama, and are shown impaled upon their lofty Pillars, as the archetypes of Christ and Adam, whom they prefigure by several millennia.

Meru; of the impalement of the heroes on the Solar Wheel of the whirling chasm of Charybdis sucking Ulysses down to Hades; of the fiery whirling swords of the Cherubs who guarded the way to Eden; etc.

The odds against the possibility of a random coincidence are too enormous to even consider seriously. According to the historian Hist.

His death sentence was commuted, at the instance of his mother a relative of the king , to the circumnavigation of Africa.

Sataspes departed from Egypt, reaching for Gibraltar and the Mediterranean. But he failed and returned before the rounding of Africa, and was, hence, executed on the impaling pole.

The story of Herodotus is probably an allegory, telling of the death penalty imposed by the Phoenicians on whoever attempted to cross the Strait of Gibraltar the Pillars of Hercules and, hence, undertake the route to India by the rounding of Africa.

A similar death sentence was likewise imposed by the Phoenicians on whoever attempted to cross the Strait of Sunda or Pillars of Atlas , at the entrance of the Pacific Ocean, on the opposite side of the world.

Clearly, they indicate both the way to reach India, and the high toly price of the impediment of the attempt. The word caravela was taken, by the Portuguese, from India, where they also obtained the design of such fast, efficient ships, that allowed their excellent mastery of the high seas.

This remarkable passage suggests a lofty pillar, too tall and too deep to fathom, and too thick to girdle with a string.

Atlantis was both the queen of the seas and the home of the original Phoenicians or Reds , the great navigants ever, after the times of Atlantis.

The Book of Job is deemed the earliest in the Bible, and is hence a reliable though difficult source of early myths and pristine traditions.

But the type of myths, traditions and doctrines is so typically Hindu as to leave no doubts about its ultimate Indian origin. And this seems to imply, at least to us, that the myth of Atlantis, true or not, is verily of Indonesia origin.

Though difficult and obscure, the Book of Job is one of the most profound and disturbing testaments in the Bible, as well as, perhaps, its most beautiful one.

It provides a reliable source and foundation for the matter of Atlantis, one that is subscribed by God himself.

A further quote from that remarkable book The passage refers to a circular island surrounded by a circular dike and canal, which was placed in the confines of the world, and was later sunk underseas, becoming an abomination.

What else but Atlantis? We concisely annotated the translation in order to render it more understandable:. The dead giants Rephaim writhe with fear under the earth, And so the waters of the abyss and the inhabitants thereof.

He hath placed Septemtrio over the devastation, And supported the Earth upon the void… He hides the face of his throne, Spreading his clouds upon it.

He has traced a circle above the waters At the boundary of Day and Night. The Pillars of Heaven quake, Swirling at his command. His breath has cleared the skies, And his hand has pierced the Coiled Serpent Leviathan.

The might of his thunderbolt, who can understand? The Darkening of the Skies Some versions precede the first two verses by These above passage merits some discussion.

The darkening of the skies is an usual attendance of Doom, and can be traced to the famous Kumarasambhava of Kalidasha, and to the Rig Veda and other Holy Books of India.

Why do the skies darken and the stars fade out at Doom? Because of the dust thrown up into the stratosphere by the volcanoes and earthquakes that attend the Flood.

What is the mighty thunderbolt of Jahveh? They are the dead Atlanteans, the ancestors of the gigantic Todas of India. As the passage shows, there are two such places, respectively called Abbadon and Sheol, corresponding to Hades and Tartarus and to Atlantis and Lemuria.

Septemtrio is Ursa Minor, the Polar Constellation. Here, it marks the site of the destruction. We recall how Paradise — the equivalent of Atlantis and Lemuria, as well as their Holy Mountains — is invariably placed under the Pole Star in essentially all mythologies.

The idea derives from the Hindu Tripura, the city of the devils, destroyed by Shiva. Tripura is also the archetype of the Celestial Jerusalem of Revelation, as well as its dual, the Messianic Jerusalem submerged under the seas.

The clouds of smoke that hide away the site of the throne of Jahveh and darken the skies over it is another recurrent mythical motif of the ancients.

In reality the text refers to the immense clouds of dust and smoke generated by the cataclysmic explosion of the pristine Mt. Atlas or Kumeru, the volcanic peak of Lemurian Atlantis.

There a new day conventionally starts when the Sun crosses its zenith. These two are often identified as the Pillars of the Earth, which they support at the two extremes.

They also correspond to the two giants, Atlas and Hercules, the two Titans who perform this task for the Greeks. The Coiled Serpent, Leviathan, closely corresponds to the likewise rounded discus of Vishnu, a sort of circular vajra.

The Standing Serpent and the Coiled Serpent are allegories of the two Holy Mountains, one of which exploded and turned into a circular volcanic crater or caldera, deemed to be the entrance to Hell.

The noise of the explosion is narrated in several Biblical passages, as well as in innumerous Hindu Holy Books.

Sumeru, which falls down as a sort of meteorite from the skies. This fact is shown in detail in our discussion of this remarkable arcane.

This vajra is either a Celestial meteorite or a giant volcanic bomb falling from above the Holy Mountain.

They are, at the Terrestrial level, the wall or dam that encircled Atlantis, and the lofty tower called the Pharos or yet, Mt.

The Pharos or Lighthouse is the Phallus, the Shivalinga. And the Coiled Serpent that girthed it is the Yoni, the dam that kept away the seas and protected the Holy City, precisely as affirmed in the text of Job.

The giant Rephaim are an actual people, the ancestors of the Palestinians and other ruddy races that preceded the Aryo-Semites almost everywhere.

They are indeed, the Atlanteans, the rakshasas of Lanka buried underground in Hades or Patala. The Coiled and the Standing Serpents Septemtrio shining over the devastated Atlantis is really an anachronism or an intentional misunderstanding.

Septemtrio is really its dual, the other Pole Star, that of the Linga. Septemtrio is the constellation of the Standing Serpent Rahab , the Pole Star that rules the present era.

At the epoch of Atlantis doom — some 11, years ago — it was Lyra and not Ursa that shone its light upon the dismal scene. Perhaps the Book of Job is really talking of two different eras and two different Atlantises, one destroyed about 11, years ago Atlantis and the other at about 25, years ago, when Polaris was, as today, the Pole Star.

It is clear that Atlantis was built — as are indeed many other Holy Cities patterned after it — as an image or replica of the skies.

The inner ring represented the Polar Circle and the outer, immense one the zodiac. Atlas represented the Polar Axis, and was tangent to this circle.

The ring and the tangent straight line are the attributes of Shamash, the Sun God and of his many aliases, both male and female. The two objects of the Sumerian Sun god then represent the passage of the eras and of Circular Time, of which Shamash was the Lord, like Shiva.

There can be no doubt about this interpretation, as we show elsewhere. Besides, what do these two peculiar forms represent but the Linga and the Yoni?

These two represent the two Pole Stars and are the supreme i. More exactly, the circle and the tangent straight line represent the Polar Circle and the Polar Axis whirling away the eras on the skies, according to the Precession of the Equinoxes.

This clear-cut image is an irrefutable proof, among many others, that the ancients knew of the Precession of the Equinoxes far before their rediscovery by Hipparchus.

Of course, the gods are not really the Pole Stars, but only the principles behind the image: The two are the two forces or principles that dictate the eras and the fate of Mankind both in the past and in the future.

Abbadon or Apollion is the angel of destruction, the archetype of Apollo. As such, he is Arjuna, who, together with his twin Krishna, the other archer the one of the Golden Bow , destroyed the world.

This destruction of the world is allegorized in India as that of the forest of Khandava, in the beautiful myth entitled The Incending of the Forest, told in the Mahabharata.

The void here means two things. Atlas scraping the skies and penetrating its cloudy canopy as a sort of linga. God is elsewhere described as sitting upon the tip of Mt.

Atlas or Calvary or Kailasa not only in Job and other books, but, indeed, in all mythologies. The Hindu Origin of the Myth of Atlantis.

Introduction The most fundamental technique for decoding myths is to study the several etyms of the toponyms and theonyms that figure in the story, as well as those of the assonances which lend themselves to wordplays with these names.

The Fabric Myths Are Made Of As we said above, in the present work we play with some of these sacred radices in the manner of the ancient bards and mythographers who composed the myths of Atlantis and Paradise.

She is clad with an armor the aegis , and wields her lance and shield both missing the figure. She wears a loose peplos wide dress decorated with snakes.

The Gorgon Medusa represents the Vadava-mukha, that is, the goddess in her most terrifying aspect. The snakes embody her relationship with the Nagas.

And Pegasus represents her relationship with horses Hippias and, again, with the Vadava, the terrible Fiery Mare.

The peplos, with its plaits undulating with the wind, represents the crust of the earth shaking under the effect of the formidable earthquake that destroyed Atlantis.

This piece of bread is offered as an oblation, along with soma, in a sacrament which is the clear counterpart of the Christian Communion.

The radix ad also gave words such as adri, the stone or grail used in Soma preparation. Adri is also a name of the vajra.

This etym is extremely important, as it links Atlantis to the fall of the vajra and to the Eucharist or Host. The Occult meaning is precisely the same in both cases: This is the same as Mt.

Calvary, legendarily formed in the same way as Mt. Meru and many other Holy Mountains of Paradise, in diverse mythologies. This mishap is also ascribed to Jesus and to Krishna, his Hindu archetype.

And the assonance with Atlantis adhara denotes precisely the same, with a correlation with Hades, the Bottomless Pit, and the Yoni of the Earth.

Atlas too tall, exceeding allowed limits. This story closely evokes the one of the Tower of Babel. Adam, Lucifer, Prometheus and many other pristine civilizing Heroes are also blamed with the same fault, that of excessive arrogance.

The idea is that Atlantis fulfilled its era and was hence doomed to destruction, as are all things both evil and good. In real terms, the sin of hubris of Atlantis seems to have been that of excessive population, excessive pollution, excessive consumerism and excessive pride in treating the lesser brothers.

These are also the sins of our own era, as is becoming evident. Are we to follow the fate of Atlantis and meet our end soon?

Such etyms are frequent epithets of Purusha and his many counterparts. Dialectically, they recall the King of Tyre of Isaiah ch.

Tyre is there further described as a harlot; a haughty nation, burnt down and turned into a pit; a dealer in ivory and ebony, spices, gemstones and myrrh exclusive produce from India ; the Holy Mountain of God, turned to ashes and then flooded by the sea; etc..

So, Atlantis can well be the Attar-anti or Atta-anti, i. The Hindu archetype of Atlantis was called, in India, Kushathali or Kushasthali, an etym which we will study later in this text.

A variant of this name is Attasthali or Attatthali, all of which are assonances of Atlantis. The idea is that Atlantis Attasthali became Hades, covered with mist or smoke and turned invisible the very etym of Patala and Hades.

And Dionysos, we repeat, was recognizedly a Hindu god, a fact that again shows the Indian origin of the myth of Atlantis.

This etymology is the one behind the universal myth of the Great Mother that gave birth to the Sun, but was terribly bunt by thereat.

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Pay attention dear reader, and you too may discover it between the lines I did not dare to open too much, for the time for that is not ripe yet, though the codks are already starting to crow.

Myths Originated in Ancient India. We have written this essay for the lay but intelligent reader, interested in the real meaning of the ancient myths, rather than for the professionals.

However, since most of our etyms and explanations are rather novel, the open-minded specialist in Comparative Mythology will certainly profit by it, for our exegesis is strictly scientific.

Given that most, if not all myths, ultimately derive from India, it is in its sacred tongues that we must quest the clues for their interpretation and exegesis.

However, the possibilities of these magic tongues are almost endless, for these tongues are polyssemic. In other words, each component radix has dozens of different meanings, and result in literally hundreds of possible etyms for the composite names.

Space does not allow a fuller explanation than the ones given, for the connections are virtually endless.

In the present chapter we adduce a few of the virtually hundreds of etyms of the word Atlantis in the holy languages of India, Sanskrit and Dravida.

These two are visibly the sacred tongues in which the legend of Atlantis was originally composed, as these etyms unequivocally attest.

So, it is in them that we must strive to recover their long lost esoteric sense. As we said above, in the present work we play with some of these sacred radices in the manner of the ancient bards and mythographers who composed the myths of Atlantis and Paradise.

The best way not to get lost is to learn with the great masters, who often utilize puns and wordplays in order to compose their myths.

But, more than anything, we have the fact that Atlantis was a worldwide empire, which left its paideuma imprinted in essentially all sacred traditions of humanity.

Plato and other sources add that Mt. Atlas was the Pillar of Heaven. Atlas was sited under the Pole, exactly in the Center of the World.

Other features concerning Atlantis are its overseas location; the huge size of the country; its continental i. In the Indian sources, the myth of Atlantis corresponds, one way or the other, to that of the sunken Atala or Patala , the Primordial Paradise also called Kushathali or Kushasthali.

The central idea of the ancient myths concerning Atlantis and its sinking is, however, the one of the terrible chasm in which it became converted.

In Hindu traditions it is the Vadava-mukha, the Fiery Mare. In Sumero-Babylonian traditions it is the Apzu, the abyss of the sweet waters of doom.

Many others such could still be quoted, for the list is virtually endless. In some traditions, this Abyss is equated with the giant Yoni of the Great Mother, and is even identified with her, in her black, lethal aspect, as Kali or Durga, the Harsh One.

The Real Nature and Location of Paradise The basic feature of Indian myths concerning Paradise is that it is usually placed near the Indian sub-continent itself.

This fact alone would seem to indicate that India is the source of such myths, whence they diffused everywhere at an early date, which is lost forever in the darkest prehistory.

Furthermore, it is reasonable to suppose that the Terrestrial Paradise — meaning the original birthplace of mankind — is one, rather than many.

Hence, we should consider all Paradises as just one and the same, which we will call Atlantis for convenience.

But that myth embodies, within itself, the sundry myths of all places which, of course, respond by a diversity of names.

The many different names result from the translation of the original legend in the many tongues of the different nations that preserved the tradition as their own.

They attempted to identify the original locations inside their own territory, recreating local replicas of the original Paradise.

The name of Atlantis applies to two different places and empires, which correspond to the two Indies or, rather, India and Indonesia.

Atlantis is, hence, dual, like our gods and the paideumas that form the essence of our Soul and our Spirit. These two are often personified as the Primordial Couple; as the Twins that created the World; as the Gods and the Devils, and so on.

In modern terms they are called Atlantis and Lemuria, respectively located in the Far Orient and the far Occident, the two extremes of the ancient world of the Hindus.

Finally, one should keep in mind that the ancients wished the esoteric message of their myths to remain secret.

Hence, they often employed allegories and paraphrases that altered the names and the directions given in exoteric contexts.

Puns and wordplays often get lost under translation, resulting in the senseless and in the popular etyms that we find, f. Atlantis was often likened to Mt.

Ursa, the Pole Star, is really the allegory of the patron god of the Dravidas, rather than an actual geographical site. The word recalls Mt. Atlas, the lofty stay of the world and prop of Heaven.

Attala or attalas also designates the same thing, and more closely evokes the name of Atlantis and of Mt.

Atlas as the Pillar of Heaven. Atala designates the third hell of Patala. Atlantis, we should recall, was sunk underground or underseas , and became the archetype of Hell or Hades.

Atala is said to be a realm of gold like the Aeaea in Homer, the golden submarine kingdom of Poseidon. Atala is, yet, a name of Shiva Atalas, whom, we shall see, is the deity who symbolizes Mt.

Atlas as the Cosmic Phallus. The Palm Tree was in their traditions, the same as the Tree of Life. The Lofty Towers of Atlantis The word atala passed into the Arabic tongue as at-talaia, a word that denotes a watchtower or a watcher.

The Tower symbolizes the Temple of Jerusalem, and other such temples and holy mountains and is also figured by the ziggurats, stupas, pagodas, pyramids, temples, cathedrals, obelisks, asherahs, spires, towers, campaniles, etc..

Athaliah was the evil woman who killed all the royal descendants, so that she could reign alone. But one escaped Joash and was kept hidden within the watchtower of the Temple, whence he came out later to avenge the murders of the evil queen.

The name of Athaliah seems to play on that of Atlas or Atalas Shiva , as well as on that of a lofty pillar atala. Even the Hebrew etym of her name also suggests the same idea.

The myth of Athaliah and of Joash, her defeater — who came out of the Pillar of the Temple in order to kill her — resembles the one of Narasimha, the Man-Lion of the Hindus, who did the same thing to the evil Hiranya-kashipu.

This name is the same as that of Jachin, one of the two pillars of the Temple of Solomon. It is throw esoteric myths such as this one, that the secret story of the world is told in the Bible, just as it is in the corresponding Hindu myths or those of other nations.

Atarah may personify Atlantis as the Temple of God. The name evokes that of Astaroth or Ishtar, the Babylonian name of Venus. Ataroth evokes the crown seen falling from the top of the Tower of Arcane no.

They also correspond to the twin Pillars of Hercules and Atlas; to the twin obelisks of Egyptian temples, the twin-peaked Mt. The two, as we shall see further below, also represent the Male and the Female deities, and their respective Pole Stars Ursa and Lyra.

These they placed, one in the Extreme Occident, and the other in the Extreme Orient. The twin peaks of Mt. They are, as we just said, the ones we identify with Atlantis and Lemuria.

These two Paradises, the Greeks called Hesperia and Island of the Blest, with they placed in the two extremes of the world. In a confused way they also identified their two Paradises with the twin Pillars of Hercules, or of Atlas and Hercules, the counterparts of the Primordial Twins.

Atharvan was the first Prajapati and the eldest son of Brahma. He is also called Angiras or Dadhyanch, the original sacrificed one, and an alias of Purusha.

Atharvana is a name of the god Shiva, as the Primordial Sacrifice. Meru in Hyperborea, marking the site of Atlantis.

He is said to be either a Rakshasa devil who eats human flesh, or a sage who composed several hymns of the Rig Veda.

These two are the Polar Constellations which patronize, respectively, the Chamites and the Semites. Atras is also the same as Atlas, as is evidenced by the closeness of both their names and their myths.

The Greeks called Minerva by the name of Pallas Athena, the patroness of Athens, the famous city having taken its name from her after the famous dispute with Poseidon.

The etyms of the names of both Athena and Minerva are unknown, a fact that shows that the goddess is an imported deity, just as Herodotus and several other ancient authorities attest.

As we shall see, both these names are unequivocally of Hindu origin. Other authorities claim that Minerva-Athena was of Pelasgian origin.

These three nations are deeply connected with the mysterious Sea Peoples, who originally came out of nowhere into the Mediterranean region.

Minerva and the Foundation of Atlantis Plato connects Athena-Minerva with the founding of Atlantis, and mentions the goddess in two episodes of his dialogue on the sunken continent.

In one, the philosopher tells of her dispute with Poseidon for the patroning of the city Athens. Poseidon offered the horse, and Athena the olive tree.

The later was considered more useful by the Greeks, who chose the goddess for their patroness. Poseidon was given the patroning of Atlantis, which became the traditional enemy of Athens.

Olives and, more exactly, olive oil, have their use in ritual anointing, a rite whose purpose and origin are strictly Atlantean, but which cannot be explaned here.

In another passage, the great philosopher tells of the Panatheneas, the great festival of the goddess, where the victory of the gods over the Titans was commemorated.

As the scholiasts of Plato explain, this war was the Great war of the Athenians against the Atlanteans, who had invaded the region.

Herodotus tells of a very similar tradition among the Libyans and the Egyptians, where Minerva was commemorated by a ritual battle of the people divided into two moieties for the purpose.

Again, Both myths have directly to do with the legend of Atlantis. And, as they far precede the times of Plato, we are led to conclude that the Athenian philosopher could not possibly be inventing the story of Atlantis.

Plato also esoterically connects Athena-Minerva with the founding of Atlantis when he relates the fact that Poseidon engendered Atlas and the other Atlantean princes with Cleito, daughter or alias of Leucippe.

And the myth indeed refers to the legend of Poseidon raping the Great Mother, Demeter under the guise of a horse.

This myth is indeed a verbatim copy of an important Hindu Cosmogonic myth, that of Sharanyu and Vishvasvat. Varuna fell down from the Skies and later became a marine deity Apam Napat , the true archetype of Poseidon or Neptune, the founder of Atlantis.

In the Hindu myth — which dates from the Rig Veda and is hence older than the Greek nation itself and which closely parallels the Greek one just mentioned — the goddess takes the shape of a mare in order to escape the incessant lust of her insatiable husband.

But that was of no avail. The god takes the shape of a stallion and rapes the mare goddess. The Ashvin Twins are the archetypes of the similar personages we encounter the world over.

As we said above, Cleito-Leucippe, the Great Mother of Atlantis according to Plato is indeed the White Mare, the alias of Minerva, of Demeter and of Sharanyu, among many other goddesses figured as mares.

But that is another story [LINK] which we tell elsewhere. Minerva and the Foundering of Atlantis Minerva-Athena was often connected with horses, particularly in a mystic way.

The goddess is also connected with Poseidon Hippios, her male counterpart, said to be her father or, alternatively, her lover.

This idea is also copied from the Hindu myth of Sharanyu, where Vishvasvat, the Sun, is both the father and domesticalm of the lover of Sharanyu.

These traditions apparently disclose the fact that the horse — whose the origin is unknown — indeed originated in Atlantis, precisely as Plato affirms.

In a Greek myth, Athena disputes with Poseidon, and beats him at his own game of horse taming. The suffix letis apparently relates to the name of Leto the mother of the twins Apollo and Diana , her alter ego, and to Lethes, the river of Hades whose waters imparted oblivion.

The esoteric allusion is to the Vadava, the Source of the Mare, hidden away under the seas, in the site of Paradise. Again, the myth of Pegasus and that of Hippocrene is Hindu in origin, and so are their connection with the Flood and with Kadesh Barnea and Gades another name of Atlantis.

Triton and Athena Tritogeneia As a further connection with the idea of the foundering of Atlantis and the Vadava, we have the epithets of Athena as Tritonia or Tritogeneia.

These are again somewhat obscure, but can be explained in Hindu languages. Trito or Tritois indeed the Vedic water-god Trita Aptya.

The Tritonic or Tritonides Marshes figure centrally in many Greek myths having to do with the sinking of Atlantis. They correspond to the Vadava, being the spot where the mariners get lost and their ships sink, carried under by the whirling waters like the ones of Charybdis, the giant maelstrom faced by Ulysses and his men.

The Argonauts too get stranded there, but are miraculously saved by the direct intervention of Triton himself. This theme is, once again, taken verbatim from Hindu myths, where Varuna is the god who rescues his supplicants in identical straits.

Even the Psalms, of the Bible allude to an identical event. And the Buddhists too tell, in one of the Jatakas, of a similar succor of Buddha to the navigants who beg for his help.

Again, the list of related myths is virtually endless. It is interesting to note the idea that the god who creates is also the one who destroys.

This is an intriguing allegory of volcanic Mt. Atlas, who was the cause of the foundation of Atlantis at its site — for volcanoes bring abundance with their fertilizing ashes, attracting humans like flies to honey.

But when they explode they also kill everybody, engendering myths such as that of the Great Mother who goes mad and devours her own children.

The same is true of heroes such as Hercules, who kills his sons, or of gods such as Kronos who devours his.

The motif of the all-sucking Chasm of Death is also related to the theme of the Sea Sargassos where ships are detained by these vines and dragged to the bottom, as if by the hand of Satan himself.

Once more, this pristine Sea of Sargassos, — that Columbus and his men mistook for the one of the Caribbean, and which populated the ancient legends — lay in the region of Indonesia, where the peril is indeed very real.

This claim is confirmed by the fact that her name is not Greek, and has no known etyms in that language. For that matter, the same is true of the name of Minerva, which has no etym in Latin.

In fact, it is known that Minerva was originally an Etruscan goddess. Herodotus affirms that Athena is indeed a Lybian goddess, and other ancient authorities affirm tat she is originally Pelasgian.

The fact that the eponymous goddess of the Athenians is foreign is very strange, and shows the foreign origin of the myth of Atlantis, with which she is intimately connected.

It is not exceedingly difficult to show that Athena is indeed of Hindu origin. If so, the just mentioned affirmations are true, and the Pelasgians, the Libyans and the Etruscans themselves are originally Indian.

More exactly, the blue-eyed goddess Glauco-opis is an Indonesian Naga, or rather, a Nagini, a female Naga. We saw above the intimate connection of Minerva-Athena with serpents and with serpent-haired Medusa, as well as with the terrifying Vadava-mukha which the monster personifies.

All these being Indonesian features, the only reasonable conclusion is that the goddess is herself of Indonesian origin. In fact, the blond Indonesians in question are the Seres or Hyperboreans, in fact living in the paradisial island of Taprobane and being blond and blue-eyed, as described by Pliny and Solinus and, indeed, by other ancient authorities as well.

As such, Minerva often appeared as a little girl, for instance to Ulysses, when he reaches Phaeacia, the Realm of the Dead Atlantis.

Kanya is also called Kanyakubja, one of the many Hindu epithets of sunken Atlantis. The name of Minerva is likewise Dravida is easy to show.

As we said above, the word has no etym in Latin, having been introduced by the mysterious Etruscans, who came in from sunken troy read Atlantis led by Aeneas.

This etym, which we already explained above in detail, is precisely the one of Leucippe Leuk-hippe , the founding mother of Atlantis.

Athena is, again, derived from the Dravida. Other Dravidian etyms are likewise instructive: The Virgin Mother and Her Wondrous Son Yami is also the Virgin Mother of many mythologies, who ends up as the lover of her own son or her father, as we saw in the myth of Sharanyu and Vishvasvat told above.

She is associated with fire, and is said to have invented suttee by throwing herself into the fiery pyre of her dead husband. This feat allegorizes the sinking of Atlantis into the Fiery Pit.

So, Pallas is indeed Dawn under disguises such as the ones just mentioned. In other words, all those etyms and allegories that do not make any sense whatsoever in Greece, find their natural explanation in the myths and symbols and holy tongues of ancient India.

What else but their origin there can explain these otherwise mysterious coincidences? We believe that this strange connection has never been satisfactorily explained before.

Space does not allow a fuller explanation. Ushas is also called Ulka in India, both words meaning the same in Sanskrit, and indeed deriving from the same radix.

But in Sanskrit, the owl is said ulukka, which closely assonates with ulka. So, the owl associated with the Great Mother is just a way of saying that Minerva indeed stands for volcanoes or, yet, that her true name is Ulka or Ulukka, both Owl and Volcano in the holy tongues of India, where the myth was visibly contrived.

And they are even more meaningful, as this tongue is the mother of Sanskrit. It was the one in which the myth of Atlantis was originally composed.

Hence, we should expect to find in it the clearest and the best etyms of all. And such is indeed the case, as this tongue is truly magical.

And we should recall the din of the ports of Atlantis, as Plato and others repeatedly narrate. This is also the roaring confusion that irritated the gods and led to the Flood in both the Egyptian and the Babylonian accounts.

Ataram or adara, etc. Alam is a saltpan or a maritime tract or a saline marshy land. But this etym says more. It shows that the ravished Atlantis became a saltpan, a dismal salty marsh like that of the Rann of Kutch, the site of the sunken Dvaraka, the very city of Atlantis.

To this etym we should add the suffix tis or tix discussed above, and meaning the same as the Skt desha or, rather, dvipa, that is a sinking island.

I also has a connection with Tisiphone and her Fiery Pillar, visible from afar. This pillar is Mt.

Atlas, the fiery volcano that eventually destroyed the region. As a result, Atlantis became desolate and deserted, being identified to Hades or Hell, the dismal realm of Yama.

This suffix also figures in the name of Aphrodite, as we saw further above. Yama is the archetype of Pluto or Hades, the Lord of the Dead. Tisiphone or Persephone is his faithful wife, who committed the primordial suttee, and who the Hindus equate with Ushas and Mahavidya Chinnamastaka.

Atlantis is, accordingly, personified as Kala Time or Chronos idem or Zurvan Akarana idem ; as the All-Father whom all legends represent as hoary with age and often associate with death and castration Kronos, Kala, etc.

As usual, the Mamm the Wheel is an ancient Gnostic motif Leonardo was secretly a Gnostic representing Atlantis as a replica and of the Pyramid.

So are Christ, Ixion, Vishvasvat and others who pertain to the same primordial motif of spanning the distance between Heaven and Earth with their immense size, or with that of the phallic instrument of torture they are pinned to.

As such it recalls how the angels of Atlantis, the Sons of God, such as Angiras, mingled freely with the Daughters of Man, the sin that led to Doom.

Atal denotes shaking, dancing, coition, saying, singing, reciting, gambling, etc.. So, we are instructed at what price the Sons of God taught the Daughters of the Giants the stage arts in ancient Atal-alant.

Again, an infinity of similar assonances is possible, but the above will have to do for the moment being.

The reader may be surprised to see that we are approaching the myths from essentially all nations as if they all belonged to a single tradition.

But this is exactly the case, at least insofar as the myths of Atlantis are concerned. Atlantis is the Primordial Land whence the Civilizing Herves of all nations originally came.

And their myths on Paradise are their common heritage, passed down the times, by word of mouth, as the sacred history of the primordials of Mankind.

Tata is any slanting portion of the body, as the shoulders or the waist. Tata is a name of Shiva as the Shivalinga. Tala means the base of fundament or bottom part, as well as a low land, usually marshy.

The second etym ties in with the Bottomless Pit a chasm , and the first with its dual denoting a flatland or a saltpan such as that of the dismal Rann of Kutch the Indus Delta.

The word tala also evokes the idea of a spread out hand, one of its etyms. This is also a name of the Indonesian Peninsula, as we will see further below.

The idea is that Atlantis consisted of a lofty mountain Mt. Atlas surrounded by a flat marshy plain of enormous size, which was subsequently invaded by the seas, in a cataclysm.

It is in these two destroyed regions that the two Atlantises, Mother and Son, are indeed to be found, buried under the mind deposited by of the Flood.

Tala denotes the palmyra or toddy palm. Its scientific name is Borassus flabelliformis, and its Dravidian names are tar, tali, tari, tati, etc..

The name Tala is often applied to Shiva, the slender and graceful trunk of the palm-tree being an usual symbol of the phallus.

Indeed, the toddy palm has a sweet palmetto heart , which is used to prepare a spirituous drink called toddy or arrack. The toddy cat Viverra — a mustelid that is hunted and castrated for the musk produced by its phallus — is natural enemy, as it climbs to the top of the palm and ravishes its heart for its sugar.

The toddy cat is the animal represented by Ursa Minor, the Polar Constellation of the Phallus, and the toddy palm is its dual, symbolizing Lyra the Yoni , the other Pole Star.

We discuss this subject in detail in our essay on The Song of Songs which we direct the interested reader.

The two lovers are clearly the two Pole Stars, and the profane atmosphere of the poem betrays its Oriental origin, and its deep eschatological message, as we show in our work just mentioned.

Oddly enough, the palmyra or toddy palm is often confused with the betel palm arecca catechu , also used, for the production of toddy.

This castrated phallus becomes Mt. Such castrations are an obsessive motif in Hindu myths and indeed, in most mitologies. The motif dates from the Rig Veda hymn This happens during coition, exactly as in the case of Ouranos castrated by Kronos.

Tala also denotes the throne of Durga, the female of Shiva. Its dual, tarah or tari denotes an ax, or the action of felling a tree.

Pan or Bacchus — the Phallic God of the Greeks and Romans — has a name and nature that derives from the Dravidian names of the toddy palm, the emblem of the erect phallus.

Many authorities have recognized the Hindu origin of both Pan and Bacchus Dionysos , and we see that they also link with the legend of Atlantis, whose Indian origin is hereby confirmed.

Pan, the Primordial Castrate Pan too, like Bacchus was a castrated god. He was an alias of Bacchus or Dionysos, in a more primitive avatar.

This etym of Pan has further relations with castration. The ultimate etym of this name of the goat buck is the Dravidian pakku mentioned above.

And the flail or thresher was a well known phallic symbol. It was carried as a royal insignia by the Pharaoh, who used it as a sort of scepter.

This is shown explicitly, f. The flailing of criminals and slaves is a supreme humiliation which allegorizes impalement, and is said to expel even devils.

In Egypt, the god Min often bore a flail on one hand while the left held his penis by the root. The scenes suggests castration and the punishment with flailing.

Self-castration was often practiced by the priests of Cybele the Galli and many other worshippers of the Mother Goddess.

Attis, Adonis, Osiris, Min, Tammuz, Pan, Shiva are a few of the many castrates either by themselves or by the goddess who represents their female moiety.

Rituals such as infibulation and circumcision also clearly relate to castration in honor of femininity.

A-tala — The word tala also denotes the palm of the hand and, more exactly, the open outspread hand with its five fingers. The palmyra or fan-palm is so named because it resembles an open hand, as we said above.

This peninsula is also called Kara or Kra, meaning the same in Sanskrit. The Hand of Satan closely recalls the Charybdis of Homer and the Vadavamukha of the Hindus which, as we saw, also link to the sinking of Atlantis that rendered the region inavigable.

It is extremely interesting to see this feature connected with the region of Indonesia and with the Atlantis legend. In the Thousand and One Nights and in other Oriental sources the site of this terrible vortex is place in the Malay archipelago The same idea of the Hand of Satan is also embodied in the Sanskrit pan or pach or panch or pancha and the Dravidian pakku or pana , denoting both the palm-tree and the palm of the hand or the number five the hand spread out, showing its five fingers.

The outspread, raised hand was used by the Celts and the Nazis to salute their heroes. The idea is that one is not to fear the Flood or Phallus of God, because it will be so sudden that it will not hurt.

More esoterically, the gesture suggests the raised phallus which is the main attribute of Pan and Shiva, and which denotes the resurrection or rising of the Phallic Star Ursa once again, now that the time has finally arrived.

And, above all, it denotes the resurgence of Atlantis and its lofty Pillar, as well as of its downtrodden races, in the Golden Age that is dawning.

Pan or Pani is the name of the Dravidians in the Rig Veda, the clever Dasyus of the lofty towers relentlessly destroyed by Indra. The Panis are also the Panyar castes, worshippers of the banyan panyar , the tree that is the Tree of Life and the very emblem of resurrection.

This tree is the Indian figtree, Ficus indica grows inverted, downwards from the top of its dual, the Bodhi Tree of Knowledge the sacred figtree, Ficus religiosa.

All Biblical events are to be explained and understood as allegories not always decipherable. Palm Sunday is the one preceding Easter.

It commemorates the triumphal entry of Christ in Jerusalem, when the people strewed palm branches before him John The symbolism of the palm tree branches as an emblem of victory is well attested in the Bible.

The palm branch is also a symbol of resurrection akin to the Golden Bough of Aeneas and of Diana Nemorensis the one of the lake in Ariccia that so intrigued Sir J.

The Christian martyrs often hold palm branches in their hands as an emblem of their expected resurrection at Doom.

They, are the ones who acclaim the resurrected Lamb in the Celestial Jerusalem Rev. This is a quote from Zacharias 9: But comparing with its equivalent in Jeremias Indeed, it represents the Ashvin twins and other such ass-headed Saviours Dadhyanch, etc.

The Branch is the palm tree that resurrects. Again, it also refers to the Phoenix, itself an allegory of Atlantis. In Greek as in other tongues the palm tree and the Phoenix are both named the same phoinix.

The Phoenix and the Palm are both considered as emblem of resurrection did Judeu-Christianism and, indeed embody a hidden allusion to the rebirth of Atlantis, the true Celestial Jerusalen.

Nabhas also denotes the navel nabhi or nave or axle or pivot, as well as the musk deer mriga-nabhi , the alias of the Pole Star and of the toddy cat.

The word also names the Yoni Lira and a Kshatrya. Tala denotes an expanse like the sky and, as we saw, a palm tree trunk tala.

Hence we see that, by confusing or playing with the words, one arrives at the ideas that of a tent or expanse of tissue nah supported by a pole tala.

Such images of Paradise as the Primordial Tent are also commemorated by the peculiar shape of the tents of the Germanic tribes, or those of the North American Indians teepees.

A further mythical wordplay concerns the Cosmogonic Marriage. The passages on the palm tree are repeated in Nehemiah 8: But the symbolism is the same.

So in Jeremiah They clearly stand for the Pole Star or, more exactly, for their succession as the eras elapse. In the oniric imagery of the Song of Songs the palm tree tamar in Hebrew figures prominently, as elsewhere in the Bible.

The palm tree is rather rare in Israel, as it does not withstand its mountainous, bone dry climate. It is only seen in the coasted region and the Jordan valley, and never in the region of Jerusalem.

Celestial Jerusalen is also the Primordial Heliopolis which is the true home of the Phoenix. We note also that many Egyptian temples had pillars of stone replicating palm trees, exactly as in the one of Ezekiel.

The Egyptian palm columns were later substituted by papyri stems, but the phallic symbolism is thereby preserved verbatim. The phallus here represented is that of the Monkey Vrishakapi or Hanumant , the animal whose phallus actually recalls an umbrella or a palm-tree.

In the Song of Songs 7: The Prince says to her:.

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